At the occasion of her leave from HEDEN in Den Haag Lia Bender was given the opportunity to curate an exhibition with works from the collection of HEDEN. In it she shows three old artworks of mine that I didn’t see for 20 years or more. I thought they were sold but here they are, still for hire!
U bent van harte uitgenodigd voor de komende tentoonstelling!
You are cordially invited to the next exhibition!
Opening February 28 from 19.00 untill 22.00 h
Stichting Ruimtevaart, De Helena @ Helena van Doeverenplantsoen 3, Den Haag
Ron van der Ende, a sculptor from Rotterdam, asked artist friends and colleagues for a Studio Playlist as he has done now for more than fifteen years. He publishes them on his Art BBQ-website. You can find mine under the link:
During Art Rotterdam 2020 Hectobar 4.0 took place in TENT, Rotterdam. This is a swap or buy fair for artists and collectors. It works a bit like Fitax used to do. I showed sketches for three pre-Trump portraits that I made in 2016 in the USA, in the period Obama was still president and Trump tried to take his place. I had a fine score with the works of Annique Weve, Niels Post and Jeroen Jongeleen changing their works for mine!
And on thursday January 9, at 9 PM sharp the change took place after which my version of the “Overschilderschilderij” was presented.
Voor een verslag, zie hier!
Since two weeks I have a canvas in my studio which was given to me by Daan den Houter. It is part of his project Het overschilderschilderij in which he asks artists time after time to make a painting on the same canvas each time. It now contains one hundred an forty paintings and Daan asked me to paint the one hundred and forty first over it. I painted it white over the previous painting which was done by Mai van Oers. I will start this afternoon to paint over it!
Donderdag 9 januari 2020.
Voor de presentatie van het 141e schilderij op ‘Het Overschilderschilderij’
geschilderd door Kees Koomen.
U bent van harte welkom bij de opening om 21.00 uur in Galerie de Aanschouw, (Witte de Withstraat 80b, Rotterdam). Het werk zal daar zichtbaar zijn t/m donderdag 16 januari.
‘Het Overschilderschilderij’ (olieverf, 50cm x 60 cm, 2002-heden)
Kunstenaar Daan den Houter nodigt sinds 24 mei 2002 kunstschilders uit om op hetzelfde canvas een olieverfschilderij te maken. Elk schilderij wordt 1 week getoond in de kleinste galerie van Rotterdam: De Aanschouw (Witte de Withstraat 80b, Rotterdam). Daarna gaat het canvas naar een volgende schilder voor een nieuwe laag. In 2012 werd dit werk genomineerd voor de
Koninklijke Nederlandse schildersprijs. In 2014 hing het ter ere van de 100ste laag, in een solo presentatie in museum Boijmans van Beuningen. Meer werk van Daan den Houter is hier te zien.
Following the performances on December 7th EX-MÊKH would install the exhibition PROBE on December 8. Installing the exhibition was presented as a performance in itself after which the opening would take place. My work, Sensitory Selfportrait was prepared in the studio, so all I had to do was to communicate with my colleagues about the location, which appeared to deliver little discussion. After three hours the exhibition looked like it needed nothing more, so it would stay in the Haus der Statistik the whole month of December.
For the Selfportrait I teared black painted paper to imagine my senses: Sight, Hearing, Taste, Smell, Feeling. I glued seasalt to it and wrote down on the paper what they were and what it does to the creative process.
I put two little canvasses on the ears on which I wrote words made out of plastic strap: I bended the straps into words and taped it together with narrow yellow tape: Haste, Anger, Inertia, Negligence, Unfocused (A collection of sentiments to avoid) en Ambition, Recognition, Perfection, Fear, Awareness (A collection of attitudes to dose)
A-Trans in Berlin invited EX-MÊKH for a weekend of performances. This would take place December 6, 7 and 8, 2019 in the Haus der Statistik in Berlin, near Alexanderplatz. For the occasion Yorgos Dimitriades and me decided to join forces: Yorgos played an improvisation on percussion and electronics and I would write the sounds he made. Here you can see a brief impression, shot by Marian Wijnvoord:
As a result of the research I did in the years 2014 – 2015 – 2016 about the influences I underwent when I studied at CCAC in Oakland Ca. in the years 1981-1982 I wrote an article about Black Mountain College and my visit to Ashville NC. The Dutch art-magazine Metropolis M was so kind to publish it on their site. You can read it here !
In the middle of August I was asked by Robert Broekhuis to open his exhibition at the Haagse Kunstkring. It is a very nice exhibition of someone with whom I have coorporated with great pleasure, he used to be chief-editor of De nieuwe for which I wrote a number of articles. On November 30 I spoke to the public in this artists society in Den Haag. You can see a small post of the exhibition here together with the text I used to open the exhibition (in Dutch).