As you can see in the text in the From the Diaries page my diaries are an important source of inspiration to me. The notes and sketches from my diaries give me ideas for my drawing and painting. This continued in 2006 when I started to work with the artists collective EX-MÊKH and the Malieveld project in which I started to work in other disciplines. To my surprise the material also became the inspiration for new work in these projects. I already published a number of instances of sources from my diaries in different contexts. Now I want to show some of the original diary-material and some of the works that thematised my diary together on one page.
In February 2022 I was in Madrid to take part in the Hybrid Art Fair with EX-MÊKH. The fair is a part of the Semana del Arte in the Spanish capital. Under the name Con Alma Ellen Rodenberg, Maarten Schepers and I changed a hotelroom into an art installation. Part of this installation was a diary that I wrote about the days we passed in Madrid. During this week, in which Russia started the war in Ukraine, it seemed rather surreal to be so far from home as the news seeped in. I took quotes from my diary to write with charcoal on torn pieces of white painted packing paper. It reminds me of shards of pottery which were used to write on in the Eastern Mediterranean before Christ which is why I used this technique before.
Back in my studio I decided to make a series of gouaches next to the shards. The basis is a colour that expresses the atmosphere of the day. This basis I painted is often determined by the weather. On the other hand, the feeling of the day also has an influence on the colour. By doing this I want to give a total impression of the experiences by writing text fragments in the imagery I had at hand during the day.
Since 2004 I run an artblog, chmkoome’s blog, . I started it because I followed Dutch blogs like Hinke Schreuders Suds & Soda (notes on art) of Marcel van Eeden’s tekenblog and Cioran 63 (not on-line anymore). Later also trendbeheer became important and interested me. Marcel van Eeden’s Cioran 63 seemed a kind of scrapbook to me in which he put all kinds of stuff that he thought interesting and which he researched. His blog was also a kind of diary with things that influenced his work as he told me at the time. I used to do so in paper sketchbooks and albums with text, pictures, postcards drawings etc. Because of the digital influence I started to think about my own blog I started posting daily. The first posts were very personal and general, but in two years the posts concentrated on art and culture solely. In the course of time a following developed and I followed a number of artists that I liked. It resulted in an invitation to participate in the Kunstvlaai in 2012. This is an art-fair for non-commercial artist collectives and independent platforms in Amsterdam.
As I post daily on my blog I decided to write a diary-entry each day, with charcoal on an A4 sheet of paper. Next to that I curated a group show with artists that I follow and admire. I put each diary-page on the wall of the group-exhibition at the end of the day. The result of it was that the exhibition was an analogical website: the artists I followed were shown and my daily posts also appeared in the exhibition. The texts were a mix of personal remarks and of descriptions of things I did and observed. I liked the diary pages a lot: they were like minimalistic drawings. What they lacked in semantics was made up for by the esthetic value of the drawing.
Journal Provençal 2008
In 2008 I received a grant to do research on the use of video for my work. I stayed in a small village in Vaucluse for two months. The weather was bad, as soon as I had set up my equipment it started to rain and it was only at the end that I started a larger project about Mont Ventoux which was in the vicinity. About this you can find more later on the video page I am still contemplating on.
I did make a diary about my stay there. Unfortunate things happened at home and some drawings are about that, some are about my work about which I wrote lot too. The books I read were an inspiration and of course nature is incredible. These are the drawings, I cut away the text as much as possible.
Jerusalem Diaries 1997
In 1997 my wife attended a congres in Jerusalem and I went with her. During daytime, when she would be present at lectures and discussions on ancient languages, I made long walks in the city. I walked along the ancient wall and visited some of the gates of Jerusalem. The thing that most impressed me was life in Eastern-Jerusalem. In the Israeli part of the city I found it looked like the US, the west coast. The eastern part of the old city gave me the sensation much more that I could experience life in the middle east. I made a series of drawings in my sketchbook. I thought it might be interesting to publish some from my 1997 sketchbook here. Now I am looking forward to another visit to Israel.
The text on the first sketch says:
This sketching book starts in Jerusalem on August 5, 1997.
It concerns only some small details that I noticed, that entered my eye and it mingles with what is already there.
The choice of subjects is probably decided by what preceded our journey.
I saw the eye in an advert in East Jerusalem, a nice start for a series of sketches.
Seventeen Days in France – 1994
In september 1994 Maurits van de laar Gallery organised a show with artists of the gallery to start the season. He asked me to participate and I wondered what to show after having shown a lot of work before. However, during my holidays in the South of France I made daily drawings in charcoal. I liked them as a serie and Maurits agreed to show them. After framing the seventeen drawings I put them on the wall as a cloud which would, like holiday memories, fade away. It was the first time I had worked daily and also the first time that I showed them under the title Seventeen days in France .