Unifying Fury

In June 2006 Ellen Rodenberg, Maarten Schepers, Hans Ensink op Kemna and I feld the need to organize more public for our visual art. We decided to start a collaboration under the name mêkh and began in the DCR, an initiative funded by the city of The Hague. At the time this building was under construction for multidisciplinary artists and craftsmen and a lot of pop-up events took place in the building. There was one little square space in the center of the ground floor where we showed for the first time. Our aim was to see if our works would strengthen eachother by unexpected contextual effects or by formal analogies or whatever. We decided to show one representative work each. We were so enthousiastic about the result that we continued looking for suitable exhibition spaces of specific character which we still do after twenty years.

mêkh at the chapel of DCR with above Kees Koomen, under the sculpture of Maarten Schepers and on the right Ellen Rodenberg
mêkh at the chapel of DCR with left Hans Ensink op Kemna, middle Maarten Schepers en on the right Kees Koomen

The collaboration has been very beneficial for me in many ways: it broadened my ways of looking at art, my choice of artistic disciplines of which some I started working with together with Hans, Maarten and Ellen, my social abilities, and most of all we were able to make many more exhibitions than we would have alone. After some time we were also able to exhibit in a number other countries. I am very grateful to my colleagues for being such good friends and colleagues, even although Hans, who is still a friend, left us after some years (hence EX-MÊKH, the collaboration formerly know as mêkh). Our graphic presentation was done by Ben Faydherbe from a certain moment. We refer to him as our underground member. I am equally grateful that he shares his abilities and friendship with us.

EX-MÊKH

sī′ləns

In december last year Frans van Lent sent a request to a number of colleagues to partake in a new project of his: sī′ləns. He formulated the request as follows:

On the first day of 2026, please make a one-minute sound recording of silence. You are free to decide what the concept of silence means to you. My intention is to combine all the recordings into one sound collage. I will consider the result to be a collaborative work that everyone is free to present as such.

Most (or all) of the artists he sent his request to answered positively. The result can be listened to on his site on the page linked to his name underneath. Artists made recordings all over the world. You can find the names and situations on Frans’ website page. I myself recorded a minute during the first of January. My wife and me were reading our new books in our living room, the heating gave some noise and you can hear the wind blowing around the chimneys.

Frans van Lent

Same but Different – Equinox to Equinox

On September 21 another performancefestival took place in Dordrecht under the above mentioned name. The location had changed to the square in front of the ancient city hall. Twenty two participants joined in the event on which everyone agreed was a successful edition of the festival. The new location also had some aspects that made it more suitable for this type of activities than De Hof which had been used untill now. I personally participated in a performance named Selfportrait in Shards, a collection of impressions of the day of the festival.

Tearing the shards and painting them white. I write notes in the wet paint.
Then I stick them to the wall of the city hall
Selfportrait in Shards- 2025

For more on the festival, see chmkoome’s blog

You’re so welcome! – Finissage

The exhibition in Galerie Sophie closed June 14. It was nice to gather reactions to my Malieveld Portraits ( Malieveld (@malieveldinvites) • Instagram-foto’s en -video’s ). The artist I invited for the show was Lucius Pax. He did extremely well by selling one of his paintings ànd he was offered an exhibition later this year. He and I are planning a duo-exhibition the coming year. It was a nice group of artists anyway and I hope galerie Sophie will continue and be successful !

Verslag You’re so Welcome!

You’re so welcome!

Galerie Sophie in Den Haag will intensify its programme in the coming year. As a start it will open a group-exhibition under the name You’re so welcome! with artists the gallery worked with before. To broaden their programme they asked participating artists to invite one artist they liked to present work in the same exhibition. The opening will take place during Hoogtij, the two monthly open night of art-spaces in Den Haag.

I was asked to participate after several shows I took part in. I will show two portraits of my Malieveld invites series in oilpaint on stone paper.

About Malieveld Invites

Today I added a Malieveld Invites page to the projects-menu of my site. I started a new series of portraits of people who stand out to me on the walks to the Malieveld, a large public space in Den Haag. I describe them in text on the Malieveld in an e-mail that I send myself. Later I make a painting of them in oilpaint on stone paper. I started the first portrait in 2023 and after apause I restarted the series recently.

Malieveld January 27, 2024
It Seems that They Are About to Dissolve

Anonyme Zeichner*innen 2025

This exhibition changed venue to the Kunsthaus in Erfurt after a succesful edition in Berlin last fall. My Shard – , drawing is still in it untill March 28 and it is still for sale for € 250,- also on-line. After Erfurt the exhibition will move to Hamburg where it will be shown from May 16th untill June 5 in in Hypercultural Passengers.

Installation view Erfurt
Shard (The diaries: Greece diary – Santorini 1993)

Anonyme Zeichner*innen

De Aanschouw benefit auction

The yearly benefit auction for De Aanschouw, Rotterdams smallest art gallery, was held March 2 in studio building Het Wilde Weten in Rotterdam. I offered one of my shard-drawings to be sold, archeology of my past. A reasonable price was offered after a long rally in which the auctioneer, Rotterdam Artist Inge Aanstoot, did her very best to raise the biddings. The benefit was a succes: the art that was offered and sales were very satisfying.

The bidding is on!
Shard (The Diaries (San Francisco 2016) – 2021

You can find an account of the auction here!