sī′ləns

In december last year Frans van Lent sent a request to a number of colleagues to partake in a new project of his: sī′ləns. He formulated the request as follows:

On the first day of 2026, please make a one-minute sound recording of silence. You are free to decide what the concept of silence means to you. My intention is to combine all the recordings into one sound collage. I will consider the result to be a collaborative work that everyone is free to present as such.

Most (or all) of the artists he sent his request to answered positively. The result can be listened to on his site on the page linked to his name underneath. Artists made recordings all over the world. You can find the names and situations on Frans’ website page. I myself recorded a minute during the first of January. My wife and me were reading our new books in our living room, the heating gave some noise and you can hear the wind blowing around the chimneys.

Frans van Lent

You’re so welcome! – Finissage

The exhibition in Galerie Sophie closed June 14. It was nice to gather reactions to my Malieveld Portraits ( Malieveld (@malieveldinvites) • Instagram-foto’s en -video’s ). The artist I invited for the show was Lucius Pax. He did extremely well by selling one of his paintings ànd he was offered an exhibition later this year. He and I are planning a duo-exhibition the coming year. It was a nice group of artists anyway and I hope galerie Sophie will continue and be successful !

Verslag You’re so Welcome!

on MÊKH-beach

From October 10 until 13 EX-MÊKH took part in Platforms Project 2024 in Athens (GR). We installed an improvised beach under the name on MÊKH-beach in our booth with firm carton. During the fair we put memories, recent observations and ideas in the waves and on the sand, as if they washed on the shore, ready to be taken back by the waves. We thought it might be a fitting image for the creative process as we perceive it. I will put some of my personal details here and a full report can be seen on the EX-MÊKH site later on.

After the first day with on the top right my painting Les Râmes from the first exhibition with EX-MÊKH
The installation at the end
Decoration and title of the French biography La vie de Goya, about the biggest inspiration I had since art school
The sun
The sun in context
The blue sky with diary notes
and a citation from Mushallam da Piera (Girona 13th AC)
Textworks and sundots with painted feet cut-outs
Sundot with lemniscate and olive-eyes, walked over a couple of times

Reversal of the Tide

On the last day of Platforms Project 2024 we organised Reversal of the Tide: we offered the works we put into the beach-scene to the public at reasonable prices. Earlier Ellen Rodenburg asked people to cut out their foot in carton and to decorate that foot. Some of those were also on sale. A number of people amongst whom Artemis Potamianou, director of the fair, gallery-owners, volunteers of the fair and parents of the kids who decorated their feet bought small works and took it with them.

A proud volunteer with one of Maarten’s Jellyfish
Allessandra Falbo (Darling Pearls fom London) and Topp (or Dubio from the reknowned Topp and Dubio) also went for the jellyfish
Maarten and one of the volunteers
Ellen and one of the volunteers who takes one of Ellen’s ants
A happy guide
Guillaume Krick of Le Bureau d’Art et de Recherche from Roubaix (FR) goes for my peace sun ray

@ Hybrid Art Fair 2024

I presented four portraits from my series New Encounters in the EX-MÊKH exhibition ¿De Donde?. They represent people I notice on weekly walks to the Malieveld in Den Haag. I write a description in my telephone and mail it home. Then, in my studio, I paint the portraits in oilpaint on stone paper. I also write words from the texts in the painting. It is a hommage to Francisco Goya whose drawings and comments I admire greatly.
In the Petit Palace Hotel I presented two portraits on a background of text, written on the wall with one wollen thread and two portraits without backgrounds. Also, above the bed in the room I wrote a text with one red woolen thread: Her spine moved like a snake . The wall was almost black there with blue in it which contrasted beautifully with the red of the text. Maarten Schepers placed sculpture on the bed underneath which in one blink could have been paws of animals, maybe pre-historic, which would have suggested fossiles. On the other hand the work could also have been seen as flowers on a grave or a monument. This would have turned the bed into a place of memory. The contrast with my text, which to me has an erotic connotation, placed above the bed as it was, opened a lot of associations to me. It enables me to eleborate on this way of working.

Her Spine Moved Like a Snake
Maarten Schepers: Flowerfeet
A Sudden Fit of Melancholia
It looks Like They Are Dissolving
left: I Imagine Them Speaking French Inside
right: You Are Right, You Have a Good Point There

Publicity

Preparing for Madrid to participate in The Hybrid Art Fair EX-MÊKH had secret participant Ben Faydherbe design a folder and a booklet for visitors. The booklet will be part of a growing series of small publications which EX-MÊKH uses during fairs and other exhibitions. The printing arrived yesterday and in the weekend we will leave for Spain.

The folder and booklet Ben designed
And these “New encounters are my part in the booklet!

Studio Playlist 2023

Like every year Ron van der Ende invited artists to send their favourite music or sounds they play during artistic work. These Studio Playlists are published on a site he runs, Art BBQ. I participated since 2006 (at least, that’s the oldest I can find) and it’s each time a pleasure to elaborate on the music I play during the year past.

click the image to play my list!

l’Anniversaire de l’art

Yesterday, art celebrated it’s 1.000.061st birthday at HOK Gallery and a number of other FLUXUS minded galleries all over the world. At HOK a new exhibition had just opened last week, but the festive make-over’s of single-sleeve’s have been naturally integrated in the present show: Long Bord Slaatje, bij Jesus Cinco and Rowan van As. I was able to take part in the anniversary project, and I chose Gilbert Becauds Toi, le musicien to elaborate on further.

Impression of the party atmosphere in the beginning
Kees Koomen: Moi, le musicien! – 2024

Het Grote Aanschouwboek

On saturday December 2 Het Grote Aanschouwboek (The Big Aanschouwbook) was presented, a survey of 22 years of De Aanschouw in the Witte de Withstreet in Rotterdam. De Aanschouw is the smallest art gallery in Rotterdam and in The Netherlands if I am not mistaken. It used to be a display case on the front of a café, De Schouw, which was situated opposite the building in which De Rotterdamse Courant had it’s offices. As soon as the newspaper went to the printer it was put in the display case and the editors went to De Schouw to have a beer and to discuss the contents of the new edition.

The presentation of Het Grote Aanschouwboek took place in a well filled auditorium in TENT, you can see an account of the happening here! The book shows all the exhibitions and artists, weekly changes and the Overschilderschilderijen (overpaintpaintings) of which documentation is still available. We are happy to say that very few is missing. Edo Dijksterhuis wrote a history of De Aanschouw and collected anecdotes can be found in the back of the book. The participation of EX-MÊKH can also be found including a poster of underground member Ben Faydherbe who is responsible for the design of our publicity. An overpaint-painting of EX-MÊKH member Kees Koomen can also be found in the book. The graphic Design of bureau 75B is special for a relatively small book with no less than 1150 pages. It developed into a brickstone-account of a period of art and friendship!

Mingle 2

Somewhere before new years eve I was asked by Dutch artist Frans van Lent to participate in his Project Mingle 2. He was to call me 15.00 h, January 1st. He asked me to answer the phone and say nothing. After one minute he would end the connection. He asked me to put the phone on loudspeaker. All this I did. He asked a number of international artists to do the same.

Yesterday the project was published as a sound-piece, You can find it here!

Other participants are:

Frits Dijcks,  Den Haag (NL)
Ienke Kastelein, Utrecht (NL)
Manuela Macco, Biella (IT)
Annie Abrahams, Vollenhove (NL)
Carron Little, Glasgow (UK)
Myrna van Lent, Barendrecht (NL)
Selma Boskailo, Berlin (DE)
Thomas Meijerman, Rotterdam (NL)
Pablo Lopez Jordan, Murcia (ES)
Kees Koomen, Den Haag (NL)
Josh Schwebel, Berlin (DE)
Deirdre Macleod, Cramond Island (UK)
Martine Viale, Perpignan (FR)
Jello Reumer, Maumont (FR)
Paul Henning, Wierre-Effroy (FR)
Geerten Ten Bosch, Dordrecht (NL)
Max Wyse, Perpignan (FR)
Nico Parlevliet, Dordrecht (NL)
Elia Torrecilla, Vigo (ES)
Susana Mendes Silva, Lisbon (PT)
Leonard Passchier, Paris (FR)
Jos Deuss, Dordrecht (NL)
John G. Boehme, Victoria BC (CA)  Hautefort, France.
1 January 2023 14:00 – 16:00 CET.

Mingle1 took place on 20 July 2019.

Madrid diaries 2022

Some weeks ago I finished the gouaches for which I used the diaries I kept during the Hybrid Art Fair. The fair asked EX-MÊKH to participate so we installed our work in the hotelroom which they assigned to us. Before and during the fair I made a number of walks. I visited the ARCO art fair and some museums and other art-venues. Each day I took a part of my notes of the day to make a “shard” on my hotelroom. It is a text I wrote with charcoal on torn, white washed packing paper. They resemble the ceramic shards of pots which pre-christian cultures used around the Mediterranean. They give only small pieces of information about life in those times. I added The pieces of paper with diary-text that I wrote daily to the EX-MÊKH installation Con alma.

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After the fair I decided to make a gouache for each day I was in Madrid. I would like to show the texts and the gouaches together sometimes. Like pendants of a fading memory of the days that I was there.