Following the performances on December 7th EX-MÊKH would install the exhibition PROBE on December 8. Installing the exhibition was presented as a performance in itself after which the opening would take place. My work, Sensitory Selfportrait was prepared in the studio, so all I had to do was to communicate with my colleagues about the location, which appeared to deliver little discussion. After three hours the exhibition looked like it needed nothing more, so it would stay in the Haus der Statistik the whole month of December.

For the Selfportrait I teared black painted paper to imagine my senses: Sight, Hearing, Taste, Smell, Feeling. I glued seasalt to it and wrote down on the paper what they were and what it does to the creative process.

I put two little canvasses on the ears on which I wrote words made out of plastic strap: I bended the straps into words and taped it together with narrow yellow tape: Haste, Anger, Inertia, Negligence, Unfocused (A collection of sentiments to avoid) en Ambition, Recognition, Perfection, Fear, Awareness (A collection of attitudes to dose)

Kees Koomen: Sensitory Selfportrait – 2019
Paper, Acrylic paint, glue, sea salt, oil pastel
Ohrenschmuck: A Collection of Attitudes to dose – 2019
Ohrenschmuck: A Collection of Sentiments to Avoid – 2019

EX-MÊKH

PROBE

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