Same but Different – Equinox to Equinox

September 20 the bi-annual Equinox festival took place in Dordrecht. This is a performancefestival organised by 222lodge, a local artists initiative. I try to perform everytime although I am not in the Netherlands sometimes . This time I was there with the performance “In search of my lost saviour”, originating in memories from my childhood in Noordwijk.

this way I worked on 25 paintings on one wall

In 1982 – 1984 I wrote down a number of those memories and painted them on unprepared cotton which I put on the wall. Before I made pictures of the locations where these memories took place, copied the pictures on A4 paper and covered that with caperol, a layer that would not be damaged by oilpaint. I glued the photographs on the canvas and over it I painted the memory, leaving part of the Photographs uncovered.

One memory handled about a dream, a situation where I was attacked by boys with sticks and stones, for whom I fled. At night I was wakened by a black boy who stood on a ladder at my sleeping room window to save me from those boys who were banging at our front door. Suddenly they were black also and the boy at my window said he was my friend and wanted to save me. He had feathers in his hair and was clad in nothing but a loin cloth. He said he was my friend and took me over his shoulder to ran away from my family home. I don’t remember more but the painting above is how I painted him.

Me performing “In search of my lost friend” during an hour in Dordrecht

The performance was intended to let the above shown painting in the water on the side of the performance site, but the place I had in mind was occupied by kids fishing and there were boats coming by regularly. I improvised immediately and decided to put the painting on the sidewalk and start fishing for it there. The image would work anyway. Then I covered myself with a large coat and as I expected the public to ask me what I was doing, I wanted to whisper “come into my tent” and cover the one who was asking and myself with the coat. Thus I would tell him that I was looking for my friend because there is an enemy again. I would ask him to take my hand and look for my friend together.
I included elements from other memories, like the crossed candles referring to the difficulties to express myself when I was young. As a catholic I would receive a yearly blessing for throat trouble which would be spoken out with the crossed candles on my throat. The coloured balloons referred to companies going around in a cart with horses in front of it. The cart was called a Jan van Gent and I always found the people on it radiated an obligatory merriness, it had a touch of drama for me. Because of this I let the balloons explode, I always found an empty balloon hanging down to express a certain sadness which relativizes a lot.

25 jaar De Aanschouw

19 Juli vond de eerste veiling plaats die in dit feestelijke jaar van de Aanschouw werd gehouden. In het najaar volgt nog een tweede. Voorafgaande aan de veiling werd een feestelijke lunch georganiseerd die wat minder werd bezocht. Na de veiling werd echter nog driftig uit de schalen geschept, dus veel zal er niet over zijn.
Het aanbod tijdens de veiling was wat ingehouden en afgezien van wat populaire Rotterdamse kunstenaars mochten de meeste deelnemers een bescheiden bedrag bijschrijven op hun conto. Niet alles werd verkocht wat o.a. te maken had met gevraagde minimum prijzen. Naast de te veilen stukken was verder nog een verjaardagstentoonstelling georganiseerd die ik graag in de veiling had gezien, daar zaten echte top-stukken bij zoals u op chmkoome’s blog kunt zien.

Zelf bracht ik het onderstaande schilderij in wat na wat twijfel toch voor een mooie prijs werd verkocht.

Kees Koomen: No More Poetry in Paradise – 2020

De Aanschouw

De Aanschouw benefit auction

The yearly benefit auction for De Aanschouw, Rotterdams smallest art gallery, was held March 2 in studio building Het Wilde Weten in Rotterdam. I offered one of my shard-drawings to be sold, archeology of my past. A reasonable price was offered after a long rally in which the auctioneer, Rotterdam Artist Inge Aanstoot, did her very best to raise the biddings. The benefit was a succes: the art that was offered and sales were very satisfying.

The bidding is on!
Shard (The Diaries (San Francisco 2016) – 2021

You can find an account of the auction here!

The places we were

Frans van Lent vroeg me enige tijd geleden mee te doen aan een project van hem: The places where we are (or would like to be)

Hij heeft dat nu uitgewerkt in The places we were:

“On 24 July 2018, while walking in the Perigord, I had phone conversations with friends about the places we were at the moment: The places where we are (or would like to be). During these talks, we sent each other pictures of our surroundings.
For me, this occasion connected the conversations to the specific places; they became inextricably linked.
I cannot walk past these places now without thinking of the person I was talking to there, and of the conversation we had. Today, I revisited three places.”

De plek waar Frans was toen hij me sprak, nu in 2023
De plek waar ik was toen Frans me sprak in 2018
Frans en ik in gesprek in 2018

The work The places we were is related to the works:
– The places we are (or would like to be) – 2018
– Memory Allocation – 2021

Frans van Lent

Trace of muse

And this is the edition I made for l’Anniversaire de l’Art: Trace of Muse. You might remember the first appearance when I was having a beer during my residency in France in 2008. Or the search for her under water as a Malieveld-action off-site in France. During my research in the USA she also appeared in San Francisco at Montgomery. I even have a text on shard about her! These are stones taken from the Sorgue River on January 5, 2023. It is an edition of five footprints of the muse I keep encountering. The colour comes from pigment I got from Roussillon near the source of the Sorgue river:

Kees Koomen: Trace of Muse (edition of five) – 2023

HOK Gallery

Les Idiolithes

This past weekend the opening of ‘Les idiolithes’ took place in Paris. After the first performances with ‘Conversation with a Stone about Freud’s Correspondence about Stones’ executed by Forbes Morlock and ‘Sounding the Stone‘ by Yorgos Dimitriades the video’s ‘Les idiolithes’ by KRAATZ,  ‘Soma(2) – Moksha ‘by Sabine Bürger and ‘Stage Arousal‘ by EX MÊKH are shown for the first time on the sixteen screens on the front of the building.

Stage Arousal ( still)
For a report on the first day (in Dutch): click on the picture!

On the second day the ritual return of the stone is executed: the members of Kraatz pass the stone to the members of EX-MÊKH. After a break the performance ‘Sentiers d’été‘ is executed by Kees Koomen and after another break Ex-MÊKH’s Ellen Rodenberg gives a workshop.

Sentiers d’été
For a report on the second day (in Dutch): click on the picture!

Farewell

On the 28th of may Jane Huldman retired from her work at STROOM in Den Haag. Everybody in the art-scene in Den Haag knows and loves her and her colleagues at STROOM asked all of us to send a memory or a thought about Jane. It resulted in a digital Liber Amicorum. In spite of a late start, it was a pleasure to make a personal portrait of Jane in the way I am working on my Brief Encounters series. You can see the result below!

Hectobar 4.0

During Art Rotterdam 2020 Hectobar 4.0 took place in TENT, Rotterdam. This is a swap or buy fair for artists and collectors. It works a bit like Fitax used to do. I showed sketches for three pre-Trump portraits that I made in 2016 in the USA, in the period Obama was still president and Trump tried to take his place. I had a fine score with the works of Annique Weve, Niels Post and Jeroen Jongeleen changing their works for mine!

Mijn bijdragen aan het gebeuren
Werk Niels Post
Werk Annique Weve
Het rechterwerk van Jeroen Jongeleen is aan de verzameling toegevoegd.

Hectobar 0.4

Kauwgompje II

Enige tijd geleden plaatste ik hier een post over een Kauwgompje dat ik voor Ieke Trinks heb benoemd en waarvoor ik een bedrag heb genoemd waarvoor het gekocht kon worden. Kort geleden stuurde ze me een mail met het bericht dat het in Stockholm verkocht werd met de volgende tekst van de enthousiaste koper:
“My son studied at KABK and I gave the Kauwgompje to him and he screamed and said its found at the same adress we have our workshop this spring!!! So it might have been some of his buddies who spit it out the 27th of january. Suddenly the walue was was all time high!
I now have it exposed side by side to a filterpostkart made of Joseph Beuys
LEL”.

Een erg mooi toeval voor iemand die Joseph Beuys les heeft zien geven, zelf aan de KABK gestudeerd heeft, en daar recent nog gastlessen gaf!