On November 12 Pim Palsgraaf and Lucius Pax opened an exhibition at Keile Contemporary in the old harbour area in Rotterdam. At this occasion Lucius Pax published the first magazine handling about theme’s in his work. This issue is about memories from his German past about Krimi’s (german detective series on television) and nude in the media.. The artist asked me to write something about his paintings which I did with pleasure. This text (in Dutch) can be read here and an account of the opening of the exhibition can be found here. PAX International can be ordered on the website of the artist
This past weekend the opening of ‘Les idiolithes’ took place in Paris. After the first performances with ‘Conversation with a Stone about Freud’s Correspondence about Stones’ executed by Forbes Morlock and ‘Sounding the Stone‘ by Yorgos Dimitriades the video’s ‘Les idiolithes’ by KRAATZ, ‘Soma(2) – Moksha ‘by Sabine Bürger and ‘Stage Arousal‘ by EX MÊKH are shown for the first time on the sixteen screens on the front of the building.
On the second day the ritual return of the stone is executed: the members of Kraatz pass the stone to the members of EX-MÊKH. After a break the performance ‘Sentiers d’été‘ is executed by Kees Koomen and after another break Ex-MÊKH’s Ellen Rodenberg gives a workshop.
in EP7 in Parijs van 3 september t/m 16 september
EP7, 133 avenue de France 75013 Paris
The exhibition on the facade of EP7 Paris (with invited artists Ex-Mêkh and Sabine Bürger) is accompanied by a weekend of performances, workshops, and an official curatorial ceremony around the opening.
According to a dictionary not yet written, an idiolith is a short—sometimes very short—film illustrating a compound word, phrase, or saying that includes a lithic element (such as, in English, “stone” or “rock”).
For EP7, artists’ collective KRAATZ has reimagined an anthology of its simple films as an architectural installation.
Two days of performances, workshops, and ceremonies has been organized around the opening of the exhibition on Friday September 3. For the full programme: scroll down.
KRAATZ is: Louise Crawford, Yorgos Dimitriadis, Stéphan Guéneau, Forbes Morlock, Isolde Nagel and Marian Wijnvoord. The members of KRAATZ share a desire to spur on their own work, to collaborate on each other’s work, and to engage in collective work.
EX-MÊKH is Ellen Rodenberg, Maarten Schepers and Kees Koomen. These artists all have their individual professional practices as an artist but next to that they show their works in their mutual contexts and they try to develop a relationship with the spaces in which exhibitions are held.
About Idioliths: https://kraatzonline.wordpress.com/episode-3-idioliths-2/
KRAATZ invites: Dutch artist collective Ex Mêkh: http://www.ex-mekh.nl
and visual artist Sabine Bürger: http://www.sabine-buerger.de
Program Opening Weekend
Friday September 3rd
19H Conversation with a Stone about Freud’s Correspondence about Stones
University professor Forbes Morlock discusses Freud’s journeys to the Dolomites, the Harz Mountains, Rome and Athens with the star of Les Idiolithes
1930H Sounding the Stone
Experimental musician Yorgos Dimitriadis uses percussion, microphones and electronics to find the stone’s groove
Projections by the KRAATZ Collective and invited guests start on the facade of EP7
Saturday September 4th
16-17H & Workshops
1715-1815H A chance to work in small groups with members of KRAATZ to produce your own “idiolith.” The short films made in these workshops will appear on the big screens of EP7 later in the exhibition.
Maximum 10 people per workshop. Participants should bring a sense of play and, if possible, a smartphone, and clothes in solid dark colours (ideally black).
1930H Cérémonie de la remise officielle du monolithe
The formal return by KRAATZ of the stone at the centre of the Les Idiolithes installation to the Dutch artists’ group EX-MÊKH.
to be followed by
20H Arousal—the Workshop
An interactive performance by EX-MÊKH’s Ellen Rodenberg, introducing the group’s intervention @ EP7
& The Weight and Brief Encounters
Two performances by EX-MÊKH’s Kees Koomen, the first with the newly returned stone and the second mixing the myth of Sisyphus with the artist’s experiences in France this summer.
About Idioliths: https://kraatzonline.wordpress.com/episode-3-idioliths-2/
Ex Mêkh: http://www.ex-mekh.nl
Sabine Bürger: http://www.sabine-buerger.de
Vanaf deze week zullen nieuwe schilderijen van mij te zien zijn in Deventer in het Bouwhuis. Het betreft de series ‘Berliner Porträte’ en een aantal portretten uit de serie ‘Brief Encounters’. Er worden wisselende groepstentoonstellingen gehouden en met enige regelmaat worden focusevents georganiseerd. Ik houd u op de hoogte!
For Platforms Project NET 2021 EX-MÊKH decided to make a video of the making of an installation. In it one could follow the decisions of each member on enriching the whole. Maarten Schepers built a booth like the ones we usually show our work in Athens in. During a cold week in February we came together daily to add to the installation. We decided the booth could also be seen as a stage on which performance could take place, so a number of actions were executed. We didn’t talk to each other about what each of us would do so we went through a series of surprises. My personal input was based on works of artists that inspired me. Here you can see my additions to the Stage Arousal as the video was called. I leave it to you to recognise the inspiration for the work!
Here are the three video’s EX-MÊKH presented at Platforms Project NET 2021:
On the 28th of may Jane Huldman retired from her work at STROOM in Den Haag. Everybody in the art-scene in Den Haag knows and loves her and her colleagues at STROOM asked all of us to send a memory or a thought about Jane. It resulted in a digital Liber Amicorum. In spite of a late start, it was a pleasure to make a personal portrait of Jane in the way I am working on my Brief Encounters series. You can see the result below!
This year also EX-MÊKH participates in the on-line Platforms Project again , it’s the art-fair in Athens for independent art-platforms all over the world. This time we decided to collaborate with the international Artist Collective KRAATZ and with the Berlin based independent art platform A TRANS, both of which we have worked with before.
KRAATZ shows the video Idioliths which I interpret as an inspired contemplation on elements in our exhibition FEMALER in Berlin last fall. We also collaborate with the independent Berlin based art-platform A-TRANS that compiled its activities in video. EX-MÊKH produced a video in which their working method is shown: Stage Arousal ! It shows how we have a place to exhibit and build up a show. We decided to include performance, because video is time-based, as is performance. Please click under the picture underneath to visit the EX-MÊKH page. Video’s can be seen from May 27!
Hectobar is an initiative that you can find regularly on Instagram. On this account artists and collectors can find works of art that can be swapped or bought during one night and the week thereafter. The unity-price for all artworks is € 100,-. Buying or swapping takes place by way of PM or in the commentaries. It is really an on-line FITAX (if you remember that one) without the drinks, the finger-food and the social interaction. It took place last friday May 7 at which occasion yours truly had this little canvas available for € 100,-. It can still be bought until May 14 through Instagram or a mail.
Zojuist lag DeFKa Research Magazine SC03 in de bus waarvoor enige tijd geleden inzendingen werden gevraagd middels een open call. Het thema van het magazine is Humor, Ironie en Parodie. Zelf schreef ik een essay The Lying Poet dat geplaatst werd. De titel verwijst naar een tekst van de Joodse Mysticus Meshullam da Piera waarvan ik eerder teksten voor mijn beeldende werk heb gebruikt.
Het SC03 telt 178 pagina’s en is overal, in de reguliere boekhandel en online, verkrijgbaar met het nummer ISBN 9789464350470. Prijs is € 36,50.
Een opmerking uit mijn essay:
Zelf moest ik in dit verband denken aan de gespletenheid van de contemporaine kunstenaar in de culturele wereld: de privépersoonlijkheid en de publieke persoonlijkheid, of zoals Marcel Proust het noemde “de schrijver en de man van de wereld”. Je kan je afvragen of de “man van de wereld” een leugen is die de schrijver/kunstenaar perverteert.
Hier een indruk van het magazine: